Everything about The Rca Tk-40 totally explained
The
RCA TK-40 is considered to be the first
color television camera, initially used for special broadcasts in late
1953, and with the follow-on
TK-40A actually becoming the first to be produced in quantity in March
1954. The TK-40 was produced by
RCA Broadcast to showcase the new compatible color system for
NTSC—eventually named
NTSC-M or simply
M—which the company is credited with inventing (though several other companies including
Philco were involved in development). Color had been attempted many times before, often in a semi-
mechanical fashion, but this was the first series of practical, fully-
electronic cameras to go into widespread production.
The camera was quickly followed with the
TK-41, a line that shared a very similar shape, but featured streamlined and enhanced electronic subsystems. Earlier TK-40s are distinguished by the lack of
venting slots on the sides (the cameras were prone to
overheating, necessitating the addition of these openings). The last variation of the TK-41 was the
TK-41C, released circa
1960. The cameras are considered to have been of very good quality, better than the very different
TK-42 which succeeded the TK-40/41, and probably better than anything produced by RCA for several years after the production line shut down (
NBC didn't fully replace their TK-41s in
Rockefeller Center until the release of the later
TK-44). Prior development in the late
1940s and early
1950s had included the
TK-X (for "experimental").
An image splitter was used in the TK-40/41 to direct the incoming
light into three
image orthicon tubes (specially-designed
CRTs) for recording moving pictures in the
red,
green, and
blue component colors. The early cameras required a very large amount of
lighting, which caused
television studios to become very warm due to the use of multi-
kilowatt lamps (a problem that still exists somewhat today, but is less pronounced).
The cameras, which weighed hundreds of
pounds on their own, were only one component of the TK-40/41 system. There were also backend devices placed in studios to generate special signals for the cameras and allow for communication between crew members (the cameras integrated an
audio system so that camera operators could talk to others via
headsets). This combined chain was required in order to produce images.
The TK-40 was used for a colorized telecast of the
opera Carmen on
October 31,
1953, apparently on a
closed-circuit system (
monochrome images were apparently broadcast with the
color burst removed). The first commercial telecast was of the
Colgate Comedy Hour with
Donald O'Connor on
November 22, but the color burst may have again been removed. The
Federal Communications Commission finally approved the color system for use on
December 17 of that year, allowing telecasts to begin 30 days later. Special permission was received to broadcast the
Tournament of Roses Parade on
January 1,
1954.
TK-40A camera setups were brought to several TV stations around the country as part of demonstrations throughout the year. They appeared at places including
WKY Oklahoma City (
April 8),
WBAP Fort Worth (
May 15),
WTMJ Milwaukee (
July 18),
WBEN Buffalo,
WCCO Minneapolis (
August 5), and
KTLA Los Angeles.
Variations
- TK-40 (1953)
- TK-40A (March 1954)
- TK-41A (1954–?)
- TK-41B
- TK-41C (1960?–1967)
Further Information
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